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MISTER MEOWGI ESCAPES AZKABAN!
NOTORIOUS RUSSIAN BLUE WIZARDING CAT AT LARGE.
THE MAGICAL FEILNE WAS LAST SPOTTED SITTING IN A WINDOW;
HE WILL KNOCK OVER YOUR CUP IF LEFT UNATTENDED, SO PLEASE BEWARE.
IF SPOTTED, PLEASE CONTACT THE MANHATTAN CONSORTIUM OF NEFARIOUS MEOWSTER WRANGLERS AT 867-5309.
YOU MAY BE APPROACHED FOR "TUNITA" OR "CHICKENCITO" BUT DO NOT OBLIGE -- NO MATTER THE COST.
HONESTLY AT THIS POINT I'M RUNNING OUT OF THINGS TO SAY SO HOPEFULLY YOU GET THE POINT ABOUT THESE TEXT SIZES BUT I'M GOING TO KEEP GOING FOR COMPLETION'S SAKE, OKAY?
THIS NEWSPAPER IS DISTRUBTED FOR FREE HOWEVER DONATIONS ARE ACCEPTED.
DISTRIBUTOR IS NOT RESPONSIBLE FOR ANY SIDE-EFFECTS FROM TOUCHING MAGICAL INK. HOPEFULLY YOU HAVE GOOD INSURANCE.
General Options #
Sizes | Weights | Transforms | Alignments |
---|---|---|---|
xs |
extra-thin |
upper-case |
text-right |
s H6 & P |
thin |
lower-case |
text-left |
m H5 |
light |
capitalize |
text-center |
l H4 |
normal |
text-justify |
|
xl H3 |
medium |
c-text-left |
|
xxl H2 |
bold |
c-text-right |
|
xxxl H1 |
extra-bolt |
c-text-center |
|
hefty |
Miscellaneous #
Option | Description |
---|---|
text-nowrap |
white-space: nowrap; |
italic |
font-style: italic; |
underline |
text-decoration: underline; |
strikethrough |
text-decoration: line-through; |
Break Words #
You can break words to fall vertically using the break
utility class.
<div class="stack-center white sp-1">
<div class="spread-center">
<div class="is-fit">
<h2 class="break text-m text-center is-fit sp-1">Mission <br><br> Log</h2>
</div>
<div class="text-justify">
<p>A note about Vollmer. He no longer describes the earth as a library globe or a map that has come alive, as a cosmic eye staring into deep space. This last was his most ambitious fling at imagery. The war has changed the way he sees the earth. The earth is land and water, the dwelling place of mortal men, in elevated dictionary terms. He doesn’t see it any more (storm-spiralled, sea-bright, breathing heat and haze and colour) as an occasion for picturesque language, for easeful play or speculation. </p>
<p> At two hundred and twenty kilometres we see ship wakes and the larger airports. Icebergs, lightning bolts, sand-dunes. I point out lava flows and cold-core eddies. That silver ribbon off the Irish coast, I tell him, is an oil slick. [...]</p>
</div>
<h2 class="break text-m text-center is-fit sp-1">Mission <br><br> Log</h2>
</div>
<h2 class="text-center sp-1"> Human Moments <br> in WW3</h2>
</div>
Mission
Log
A note about Vollmer. He no longer describes the earth as a library globe or a map that has come alive, as a cosmic eye staring into deep space. This last was his most ambitious fling at imagery. The war has changed the way he sees the earth. The earth is land and water, the dwelling place of mortal men, in elevated dictionary terms. He doesn’t see it any more (storm-spiralled, sea-bright, breathing heat and haze and colour) as an occasion for picturesque language, for easeful play or speculation.
At two hundred and twenty kilometres we see ship wakes and the larger airports. Icebergs, lightning bolts, sand-dunes. I point out lava flows and cold-core eddies. That silver ribbon off the Irish coast, I tell him, is an oil slick. [...]
Mission
Log
Human Moments
in WW3
Verticals #
erticals
text-v-rl
and text-v-lr
to rotate text vertically.